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The real review: Artemis Fowl

As I mentioned yesterday, I finished reading Artemis Fowl, a book about a twelve-year-old criminal and genius who gets on the bad side of a bunch of fairies. He also has a minion…erm, bodyguard named Butler. Sounds cool, right? The plot was actually interesting. The writing made me suffer through the novel. Yes, it’s a young adult novel, as so many people pointed out to me. However, the mark of good fiction is to be immersed in the world that the author has created and to forget that such a world outside the book can even exist. This book didn’t do that. The writing was as jerky as a car ride with that friend of my brother who nearly gets himself killed on every trip. Colfer enjoyed reminding me that no, we haven’t met this character yet, but we should have, and this is why they’re important. Let us take a moment to explain. How important can that character be if he was artificially introduced?

While we’re talking about Artemis, let’s talk about his character. He’s a twelve-year-old genius and criminal. He’s also arrogant as all hell, and boy, does he show it. Yes, he does have his occasional human moments (see a notable instance at the end of the novel for an example), but for most of the novel he’s static, and there’s little evidence of character development that would lead to the ending.

Overall, I read this like a dry textbook. Read it for the text and not for the meaning. Would not read this (or the rest of the series) again.

On another note, Eoin Colfer also wrote the sequel to the Hitchhiker’s Guide to the Galaxy series. This depresses me slightly because I was satisfied with the ending (even if Adams himself wasn’t) and I’m not a fan of Colfer’s writing style. Perhaps the style will be better when he’s not writing for teenagers, but there is no replacement for Douglas Adams’s humor.

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Review: The Kite Runner

I finished reading The Kite Runner by Khaled Hosseini a few days ago. For me, the book is typically better than the movie, and despite the excellence of the movie, The Kite Runner is no exception. As a writer, I’ve trained myself to look for the points in a novel that we all learned in high school literature: the inciting incident, the buildup, the turning point, the climax, the resolution. (You may remember them by the proper names; I’m going by memory.) For the terrible books, it’s obvious that they’re just following a formula: possibly because the education system is failing us yet again by churning out barely literate citizens, and possibly because they haven’t spread their literary wings and tried to write without the formula as a crutch. For the wonderful books, the formula may still be there, but the reader doesn’t notice because they’re too engrossed in the story.

One thing in particular struck me while reading: the character-driven story. It’s tempting at first to say “But there is no plot! People are just wandering around and doing things!” Character-driven stories are centered around people, not things, and Amir and Hassan’s childhood turns one unfortunate incident into a life story worth telling, especially when you figure out the significance of the prologue. In fact, the character-driven story made me remember why I love writing so much to start with. With characters leading the way, there’s more room to explore the world around them, and you get to hear the voice inside them that just wants to have their own way.

The verdict on the book: Would read again. I’m keeping this one. It’s a good thing, too. I think I got some water stains on it at the bus stop one morning.

Book vs. Movie: The book, hands down. The movie is great, but there are only so many themes one can explore in a feature-length film.