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Does NaNoWriMo foster bad writing habits?

There’s a discussion in the NaNoWriMo forums about a non-writer friend of a Wrimo who believes that NaNoWriMo fosters bad writing habits. Does it, though? The non-Wrimo friend believes that NaNo encourages writers to pad and worry about deadlines and word count instead of writing on one’s own and page count. Let’s take a look.

I rarely if ever pad, which you might not believe. In fact, I anti-pad. My writing is so skeletal in the first draft stage and lacking in description that I often have to go back and add these things. Of course, not every Wrimo writes like me. Padding can be part of the NaNoing experience, but only if that Wrimo chooses to make it so. The idea behind padding isn’t necessarily to make one’s word count or to intentionally write crap that will definitely be cut out later but to write something down. You can’t edit a blank page, and writing anything down lets you keep going. In that way, NaNoWriMo fosters the best writing habit of all if you want to write well: writing.

Word count, not page count, is what the publishing world usually goes by. Anyone who has written a paper for a class knows that you can fudge page count by changing the font or margins to squeeze in that last half page. Word count can’t be fudged as easily, but you get a good idea of how many pages, say, 50,000 words take up in pages. (Somewhere around 175 book pages, if you didn’t already know.) Awareness of your word count isn’t an entirely bad thing in the long run; it makes sure what you intended to be a novel doesn’t end at ten thousand words or stretches on to 300,000. Some genres have understood guidelines on word counts, so knowing those limits going into a book’s writing is a good thing so you don’t overstep them too much. Well, unless you’re absolutely convinced that your novel is really really good.

If you’re a writer outside of NaNo, there’s a very good chance you’re going to work under a deadline at some point. NaNo teaches you how to do that. Writing under a deadline makes you better at it over time, and you’ll learn how to write smoother prose that is easier to edit, even if it doesn’t look easier at first. Take this from my own experience; my first NaNo novel is never getting touched again, while two of my books from the past two years definitely have potential.

If there is a bad habit that a Wrimo may fall into, it’s the idea that one writes only in November with a bunch of other writers. Writing doesn’t have to be a solitary activity, but it’s not always an activity with thousands of writers cheering you on, either. Not everyone does NaNo with its breakneck writing speed and community support, and as much as I love NaNo, that’s okay. November is for writing, but if you want to be a serious writer, the rest of the year can’t be off-limits.

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The characters with no names

The point I mentioned last night about my novel still rings true almost 17,000 words in, so now I get to bring it up.

None of my characters have proper names.

My story is told in first person, so that eliminated the need to figure out the main character’s name for awhile. He’s a pretty solitary ghost on the whole, and I don’t think any of the characters know his name. Come to think of it, I don’t think any of the characters know each other’s names. Actually, that’s a lie. There were two girls at a show the ghost narrator sneaked into in the beginning who probably knew each other’s names, though the names were unmentioned. And of course, the ghost’s love interest and the love interest’s apparent human interest probably know each other’s names, but those names haven’t come up in the story yet. The former’s name will likely come up eventually, assuming I ever get around to naming any of these characters. As for the other characters, who knows? My cast of characters is small so far, and I could probably count all the characters on two hands. Distinguishing the characters by calling them “the ghost” (another ghost who is not the narrator) or “the girl” or “the guy” hasn’t gotten me into trouble yet. This method will get me into trouble eventually, so maybe I should start introducing names into the story.

Is the lack of proper names in the story a bad thing? One could argue that “the girl” or “the guy” or “the ghost” are names. Names are what we make of them, and they can be whatever we please. On the other hand, proper names are easier to deal with and are much less awkward when you’re reading an entire book. Are there any books that brave the world of improper names for a whole book? I’m curious now. Enlighten me.

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Camp NaNoWriMo: Day Two

As promised, I’m a quarter of the way through Camp NaNoWriMo. The story’s starting to develop, and I’m figuring out where to go next with it. The ghost’s love interest is not just a human, but a ghostbuster. Hello conflict. The conflict in this story is going to be huge, and I’m enjoying the story so far. Figuring out the next step hasn’t been too difficult after the first few scenes.

For those who struggle with this, my words of advice: think of the thing you would expect your characters to do, and then do the opposite. I found myself doing this several times throughout the plot. My ghost character could have floated away from the guy selling the roses like his common sense said he should have, but instead he stole a few, and that’s how he was found a few scenes later.

The other interesting bit about this story may or may not still be relevant tomorrow, but I’ll take that chance. I also probably won’t finish this story in four days, despite my writing speed today. I have nonwriting things to be doing!

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Guess who’s finally starting Camp NaNoWriMo?

I finally started Camp NaNoWriMo. Yes, on the nineteenth. I’m aware that this is a very late start, but after a friend pointed out that she had 3,000 words to go to the 50,000 word goal and no motivation and I pointed out that she didn’t want me to beat her to 50k, well, that got me thinking. What if I wrote 50,000 words faster than she wrote three thousand? I have a busy week this week, so writing the whole book in two days won’t happen. But she can set her motivation aside until I get to 40,000 words or so, after which the last 10k will take about four hours.

As for other motivation, apparently I have a mystery thing that I won’t get unless I reach 12,500 words by around 11:22pm tomorrow. Erm, tonight, I suppose. I’m at 1520 words right now, so that’s roughly 11,000 words to go. Doable, right? Even with a busy day tomorrow? It’ll involve a lot of Internet ignoring and squeezing work into every spare minute, but it can be done.

Let the noveling begin!

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Exactly 1667 words a day? Not quite.

Remember that challenge to write exactly 1667 words a day for May? Now that it’s officially June, I can safely say that challenge didn’t work out quite as planned. Part of the reason behind this was because the nature of my story was writing short stories, and short stories and I don’t get along. Cramming an entire story in so few words is like mowing the lawn with scissors. It can be done, but I really don’t want to do it. Funnily enough, I could have written an entire traditional novel in the amount of time it took me to write these stories. Heck, I could have written two of them.

Then there’s the cowriter factor. The process of bouncing ideas off each other is a great reason for having a cowriter, and the nature of the story gives us good reason to write the two separate pieces of it separately. But despite falling further and further behind, I was still ahead of my cowriter for most of the month, and I could stay only so far ahead. While my pantsing nature works well for novels I’m writing on my own, it works less well when writing with someone else. Even if there’s no huge outline as in our case, staying on the same page (see what I did there?) is extremely important, and that’s what we aimed to do throughout the month even after both of us fell behind.

All this is to say that I didn’t write 50k in May and the story’s not finished. I still wrote almost 30,000 words, so May wasn’t a complete loss. The story will be finished, though. We’ve put too much into the thing to let it languish now.